An look at adopting generative AI open-weight models and how they can improve workflow stability, security, cost predictability, and delivery efficiency.
Go with the Flow—AI filmmaking just got directable, with a system that combines interactive 3D scene construction with the visual power of generative 2D video models.
Join us for our friendly neighbourhood disagreement about the latest film from the Marvel Cinematic Universe.
How Los Angeles based Impossible Objects are using HP ZGX Nanos to bring new artist-driven AI workflows alongside traditional vfx tools.
DNEG'S Daniel Baldwin on the fire, full-CG crashes, seamless camera handoffs, and more on the invisible effects for Citadel Season 2.
VFX Supervisor Betsy Paterson breaks down Stranger Things season 5. The best visual effects don’t replace reality, they convince reality to play along.
Can a ten-year voyage finally bring the vfxshow crew to a shared opinion about Director Christopher Nolan? Probably not. But listen and find out for yourself.
StEM3 gives creative filmmakers a free, standardised toolkit to test, validate and trust an LED volume before the cameras roll.
Sony’s FX5: a cinema camera so small Gareth Edwards can hide in plain sight and so capable he calls it a TARDIS.
Foundry has released a new AI-powered plugin for Nuke, NukeX, Nuke Studio and Nuke Indie that aims to take the grind out of one of the most tedious jobs in visual effects: rotoscoping.
From LiDAR to Gaussian splats, Clear Angle is capturing the real world so the best VFX teams, in the world, can rebuild it: one scan, one face and one lava field at a time.
From clipped to equipped: Beeble’s SwitchHDR brings SDR into your HDR VFX pipeline.
Congratulations to all of the nominated artists, supervisors, producers, and facilities whose work continues to push episodic visual effects forward.
Cooke’s Jordan Thistlewood joins us to explain why lens /i Tech may be the missing link between what was shot on set and what VFX needs to finish the shot, and we should now be demanding it.
On this 'vocal' episode of the VFXShow, we discuss how Disclosure Day works as a Spielberg UFO film, how its visual effects support both spectacle and invisible effects - all with some surprising reactions from the guys.
