Walter White. Amy Dunne. Tyrion at his worst. The Jackal from Red Rising, who I have no business rooting for and root for anyway. You have your own list. And you know the feeling on it: the small private embarrassment of being on someone's side while some other part of you files …
A book page is a poster Back in the first post I said I write worlds with rules you can poke at, and that I wanted a reader to actually poke. This is the post where they can. Here's the thing a static book page can never do. A reader finishes the sample, falls for the world, and …
You've had the thought, probably at a moment you'd rather not admit to. Is this real, or is it just the situation? Some of us met someone during a bad year. A deployment, or the 8 months when everything was coming apart and one person kept showing up anyway. And later, when the y…
One engine, two faces I needed a second website, and I already had the code for the first one sitting right there. The obvious move was to copy the folder. Copy the folder, point a new domain at it, change the colors, done by lunch. Every author-dev who's ever run two sites has f…
I stopped renting my readers Last spring I clicked the most important button on my own website and hit a locked door. The button said "Read Free Stories." I'd put it front and center, the thing I most wanted a new reader to press. I pressed it myself, pretending to be a stranger.…
I keep my working craft notes on one page of this site. It's called Writing Resources, and reaching it costs nothing but a free account. I mean the actual notes. The template I fill in before I name a character. The ten-part slog I went through to build a believable world for my …
A chapter ending is a contract. Most writers sign it without reading. Every working writer has had this talk with a beta reader. The pacing felt off in the middle, they say. You ask which chapter. They can't point to one. So you go back and revise the chapters in that range. You …
The Chapter You Can't Write Every craft podcast tells you to push through. On this, every craft podcast is wrong. Or to be fair: right about half the time, badly wrong the other half. And nobody teaches you which half you're in. Most working writers have lived the bad version. A …
Imagine your whole school can see your stats A sixteen-year-old, one humiliating half second, and the reckless thing he does to prove it wasn’t the whole story. You already know where you rank. Somebody decided years ago, the label stuck, and most days it feels settled. The athle…
Last time, I argued that revision is an OODA loop, and that the step most writers skip is Orient — the move where you frame what you’ve read against what the passage is actually for, before you change a single word. That’s easy to assert and harder to show. So this dispatch is on…
When you’re stuck in rewrite hell — version after version, none of them actually better — the problem usually isn’t your writing skill. It’s something quieter that most writers never name. Most revisions fight themselves. Here’s why. Every working writer has felt the difference b…
The adverb prohibition was never a rule. It was a Strunk & White nervous tic that became orthodoxy — and our prose got worse for it. The prohibition isn’t entirely wrong. There’s a real craft problem buried inside it, and the rule was an attempt to solve it. But somewhere between…
A few episodes ago, I told you about a moment in a short story I wrote called “Signal Zero.” A military sergeant gets ambushed by an alien intelligence — and inside that ambush, the system gives him a designation. It calls him Sentinel. And next to Sentinel, a number: Frame: Seve…
Earning the Proposal Romance writers have it easy in one specific way. The proposal is allowed to land. It can be the spine of the book. Everyone bought the book for it. The whole genre is a delivery mechanism for the moment one person asks another person a question and gets the …
Here’s a problem every writer in deep first person eventually runs into. Your narrator gets ambushed. Or jumped. Or shot at. Suddenly the camera is locked inside a person who can’t pull back, can’t pan, can’t see around the corner — and who, if we’re being honest, can barely see …
I was seventeen and it was past midnight and I had school in the morning and the book I was reading — Ender’s Game, borrowed from a friend who’d said “just read it” with the intensity of someone trying to share something they couldn’t explain — had done something to me I didn’t h…
The problem had a very specific shape, and I found it by running the math. Partway through Book 2 of the Technomancer series, I’d established that one day in the realm of Elysia corresponds to roughly π days on Earth — 3.14 to one. I chose π deliberately: it’s irrational, it neve…
The first story in the An Author’s Voice narrated series is Signal Zero — the beginning of the Integration Era, and a good place to start if you’ve never read it. Sergeant Voss has been guarding an archaeological dig on a frontier world for eleven weeks. His job is straightforwar…
Welcome to “An Author’s Voice” where I’ll discuss the craft behind writing and illustrate the points with my own work or discuss other well known examples. Episode Three : The Quiet Apocalypse This post accompanies Episode 3 of An Author’s Voice. If you haven’t listened yet, the …
Welcome to “An Author’s Voice” where I’ll discuss the craft behind writing and illustrate the points with my own work or discuss other well known examples. Episode Two : The Dirty Secret of First Person: Your Narrator Is Lying You know that feeling — three chapters into a novel, …
Voices by Speechify Welcome to “An Author’s Voice” where I’ll discuss the craft behind writing and illustrate the points with my own work or discuss other well known examples. Episode One : The Perception Filter Technomancer is a multiple POV novel blending science fiction and fa…
